In one level youвЂ™ll feel prepared for anything, but in the next youвЂ™ll be down to throwing knives at your opponents as you gasp for air through your half-shattered mask.

The game uses a clever вЂfeast and famineвЂ™ approach to dishing out ammo and mask filters. Through all this, Last Light never forgets its status as a shooter, and is built to play to a very satisfying rhythm, balancing its atmospheric storytelling with bouts of intense combat. This is MetroвЂ™s world building at its most powerful, strange, haunting and tragic. In one ruined apartment, the shadow of a child plays with his toys, waiting for a mother who no longer exists to come home.

Toward the end, you explore an area of Moscow where the shadows of the dead linger on, oblivious to their own demise. As you investigate the wreckage of a passenger jet, flashes of the planeвЂ™s final moments play before your eyes. Metro is at its best when exploring the eerie horror of its own imagined apocalypse. But Last LightвЂ™s most impactful moments donвЂ™t stem from the living. The relationship between Pavel and Artyom is by far the gameвЂ™s strongest human thread. This culminates in a climactic battle near Red Square that is as spectacular as it is bittersweet. Afterward, Pavel becomes the human focal point in ArtyomвЂ™s mission, spending much of the rest of the game chasing his former comrade down. The moment he betrays you is genuinely galling, not least because you get the sense that, deep down, his sense of kinship toward you was not entirely feigned. Pavel is far more than a grunt in the MetroвЂ™s Red Army, and rather less than your friend. It soon transpires this personality is a facade. At one point, Pavel says, вЂњWeвЂ™re like the three musketeersвЂ¦ if there were two of them,вЂќ which sums up his personality. A goofy, affable fellow, Pavel is likeable, and the game does a great job at establishing the bond between him and Artyom. Early on, youвЂ™re captured by the MetroвЂ™s Nazi faction, but are helped to escape by a Soviet soldier named Pavel. Yet while Last Light has its lows, they are outweighed by its highs. The scene in the strip club remains one of the least erotic things IвЂ™ve ever witnessed, and this is a game in which you fight giant mutated pigs. Last LightвЂ™s story is interesting and generally well written, but it fumbles the delivery with some wooden English voice acting and the cringeworthy representation of its few female characters. As such, when Artyom is given a mission to track down and kill the last surviving Dark One, he instead decides to try to protect it. In the sequel, it transpires that the Dark Ones may not have been hell-bent on extinguishing humanity, and Artyom is plagued with guilt about being the man who pushed the button. Metro 2033 concludes with Artyom unleashing a barrage of nuclear missiles to destroy a race of post-human mutants known as the Dark Ones. Last Light also follows in the footsteps of Half-Life 2 by providing a more rounded and mature story compared to its predecessor. Later, you have to navigate through the structure of a vast bridge, which again bears strong resemblance to a similar set piece in Half-Life 2. ThereвЂ™s a sequence in which you drive a rail car through a tunnel infested with insectoid enemies an obvious nod to Highway 17. But there are more specific areas where 4A has borrowed from ValveвЂ™s masterful sequel. This is apparent in the structure of the game, such as the way one level flows more neatly into the next, and the greater emphasis on NPC companions. In its approach, Last Light takes inspiration from Half-Life 2. Last Light is a better paced game than its predecessor, with a greater variety in level design and set pieces. The most significant changes are also the less tangible ones. The confined nature of MetroвЂ™s levels still makes stealth difficult, as you need to be very precise in your movements. From a mechanical perspective, stealth actually works, enabling players to use silenced weapons and melee attacks to take out guards from the shadows. Even character attire is designed to appear bulky and cumbersome, making you feel even more pressed-in when passing through populated areas.ДЄs a sequel, Last Light makes small but important improvements over 2033. The world is crammed with environmental details, as humanity tries to pull a cityвЂ™s worth of resources underground. The world is deliberately designed to feel cluttered, particularly in the settlements that the player passes through. The gas mask is one example of this, but there are others. Metro turns claustrophobia into an aesthetic, constantly making the player feel squeezed and restricted as they traverse the labyrinthine tunnels of the Moscow subway system.

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